Classical Studies 2700B
TEXTILES: weaving and dyeing
Weaving:
types of loom and their characteristics in early cultures. Basic
loom in classical antiquity was warp-weighted vertical loom (that is, the
warp threads [N.-S.] have loom weights to which they are tied in bundles); this
was the only type used in
Dyeing: problems with ancient dyed materials; also dyes in ancient world were somewhat impure; so considerable “colour uncertainty”—consequences of this. For example, little distinction between violet, scarlet and purple: all much the same and probably would appear rather dingy to us (true until discovery of aniline dyes in 19th century [1856 by William Perkins]). Range of colours, too, probably quite limited. Also, formulas for dyes were closely-guarded trade secrets in families.
Various types of dyes:
Red: goodish range, both from animal and vegetable sources.
Most important were kermes and cochineal, both derived from
female insects of genus Coccidae; description
of Kermes from Kermococcus vermilio. This produced a water-alcohol soluble dye,
which required a mordant to fix it to cloth (alum and urine in this
case). Used on wool, leather and silk. (In Middle Ages this dye was known as “Venetian scarlet”.) Also,
another important, but much cheaper red dye was madder (also called “the
root”); from pulverized root of a plant c. 3 feet high (required iron alums as mordants); widely cultivated everywhere until synthesised
in 1868. Other common red dyes were henna, dragon’s blood (called
“cinnabaris” by Pliny), and perhaps
Blue: not too many; most important was woad
(always associated with ancient
Purple: most esteemed of all dyes in ancient world;
extracted from certain molluscs on Easternmost coast of the Mediterranean,
between
Other dyes: yellow (safflower, saffron and broom), a few greens (not v. common) and blacks and browns.
Actual dyeing process: large boilers containing copper vats. Two main types of dyes: mordant dyes (e.g., kermes, madder, woad, saffron, brazil wood), where dye plus mordant form a lake, which adheres to fabric and produces fast colours; and vat dyes, where dyestuff is usually insoluble and has to be reduced to a colourless solution in which material is dunked and then exposed to air (or boiled) for oxidization to take place (e.g., Tyrian purple and indigo).
Finishing (or fulling); important material is “fuller’s earth” (a kind of clay—actually, finely divided hydrated aluminum silicate), which absorbs grease and removes dirt and “plumps up” the cloth. The fuller has two jobs—to “finish” cloth as it comes from the loom and to launder soiled garments. The processes.