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Lay, Mary M. "The Androgynous Collaborator: The Impact of Gender Studies on Collaboration." New Visions of Collaborative Writing. Ed. Janis Forman. Portsmouth, NH: Boynton/Cook, 1992. 82-104.

Lee, Yu-ch'eng. "The Problem of the Subject in The Autobiography of Malcolm X." American Studies/Mei-kuo yen-chiu (China) 16.4 (Dec. 1986): 1-31.

LeFevre, Karen Burke. Invention as a Social Act. Carbondale: Southern Illinois UP, 1987.

Leonard, James. S, Christine E. Wharton, Robert Murray David, Jeanette Harris, eds. Author-ity and Textuality: Current Views of Collaborative Writing. West Cornwall, Ct.: Locust Hill P, 1994. Note: contains an annotated "Browser's Bibliography" on collaborative writing.

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Leonardi, Susan J., and Rebecca A. Pope. "Screaming Divas: Collaboration as Feminist Practice." Tulsa Studies in Women's Literature. Ed. Holly Laird. 13 (1994): 259-70.

Limbert, Claudia A. "Composite Authorship: Katherine Philips and an Antimarital Satire." Papers of the Bibliographical Society of America 87.4 (Dec. 1993): 487-502.

Limbert, Claudia A. and John H. O'Neill. "Composite Authorship: Katherine Philips and an Antimarital Satire." Papers of the Bibliographical Society of America 87 (1993): 487-502.

Lochte, Dick. "On Collaboration." Mystery Scene 63 (1999): 28-30.

Locus Solus 2 (1961). Special Issue of Collaborations.

London, Bette. Writing Double: Women's Literary Partnerships. Ithaca: Cornell UP, 1999.

Loranger, Carol S. and Dennis Loranger. "Collaborating on 'The Banks of the Wabash': A Brief History of an Interdisciplinary Debate, Some New Evidence, and a Reflexive Consideration of Turf and Ownership." Dreiser Studies 30.1 (Spring 1999): 3-20.

Lunsford, Andrea and Lisa Ede. "Collaborative Authorship and the Teaching of Writing." The Construction of Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee and Peter Jaszi. Durham: Duke U P, 1994. 417-38.

Mannocchi, Phyllis F. "Vernon Lee and Kit Anstruther-Thompson: A Study of Love and Collaboration between Romantic Friends." Women's Studies 12 (1986): 129-48.

Marlatt, Daphne and Betsy Warland. "Reading and Writing Between the Lines." Tessera 5 (1988): 80-90.

Mascia-Lees, Frances E. and Patricia Sharpe. "Locked in or Locked out or Holding Both Ends of a Slippery Pole: Confusion of Metaphors, Collaborations, and Intellectual Travesties." Making Worlds: Gender, Metaphor, Materiality. Eds. Susan Hardy Aiken, Ann Brigham, Sallie A. Marston, Penny Waterstone. Tucson: U of Arizona P, 1998. 227-42.

Masten, Jeffrey A. "Beaumont and/or Fletcher: Collaboration and the Interpretation of Renaissance Drama." The Construction of Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee and Peter Jaszi. Durham: Duke U P, 1994. 361-82.

Masten, Jeffrey. "My Two Dads: Collaboration and the Reproduction of Beaumont and Fletcher." Queering the Renaissance. Ed. Jonathan Goldberg. Durham: Duke UP, 1994.

Masten, Jeffrey. "Playwrighting: Authorship and Collaboration." A New History of Early English Drama. NY: Columbia UP, 1997.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaisssance Drama. Cambridge, MA: Harvard UP, 1997.

Mather, Elsie P. and Phyllis Morrow. "'There Are No More Words to the Story.'" Native American Oral Traditions: Collaboration and Interpretation. Eds. Larry Evers and Barre Toelken. Logan, UT: Utah State UP, 2001.

McCabe, Cynthia. Artistic collaboration in the twentieth century. Washington, D.C. : Smithsonian Institution Press, 1984.

McCall, Sophie. "A Life Has Only One Author: Twice Told Aboriginal Life Narratives." Canadian Literature 172 (2002): 70-90.

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McGann, Jerome J. The Romantic Ideology: A Critical Investigation. Chicago: U of Chicago P, 1983.

McGann, Jerome J. The Textual Condition Princeton: Princeton UP, 1991.

McGoldrick, Nikoo and James McGoldrick. Marriage of Minds: Collaborative Fiction Writing. London: Heinemann, 2000. Writer's handbook.

McNeilly, Kevin. "Cutting Both Ways: Robert Bringhurst and Native Myth." Canadian Literature 167 (2000): 167-74. [Bill Reid and Robert Bringhurst collaboration, The Raven Steals the Light].

Meltzer, Françoise. Hot Property: The Stakes and Claims of Literary Originality. Chicago: U of Chicago P, 1994.

Mendelson, Edward. "The Auden-Isherwood Collaboration." Twentieth-Century Literature 22 (1976): 276-85.

Merod, Jim. "Intellectual Collaboration in the Age of Technological Overdetermination: Miles Davis and John Coltrane." Boundary 2: An International Journal of Literature and Culture 24.1 (Spring 1997): 79-112.

Michaelsen, Scott. "Ely S. Parker and Amerindian Voices in Ethnography." American Literary History 8.4 (Winter 1996): 615-38.

Miller, Jay. "Mourning Dove: The Author as Cultural Mediator." Being and Becoming Indian: Biographical Studies of Native American Frontiers. Ed. James A. Clifton. Chicago: Dorsey, 1989. 160-82.

Miller, Leta E. "Cage, Cunningham, and Collaborators: The Odyssey of Variations V." Musical Quarterly 85.3 (2001 Fall): 545-67.

Miller, Nancy K. "Changing the Subject: Authorship, Writing, and the Reader." Feminist Studies/Critical Studies. Ed. Teresa de Lauretis. Bloomington: Indiana UP, 1986. 102-20.

Miner, Earl Roy. Japanese linked poetry : an account with translations of renga and haikai sequence. Princeton, N.J. : Princeton U P, 1980.

Miner, Valerie. "An Imaginative Collectivity of Writers and Readers." Lesbian Texts and Contexts: Radical Revisions. Ed Karla Jay and Joanne Glasgow. NY: NY UP, 1990. 13-27.

Miner, Valerie. "Writing Feminist Fiction: Solitary Genesis or Collective Criticism?" Frontiers 6.1 (1981): 26-9.

Mix, Deborah M. "An Erotics of Collaboration: Daphne Marlatt and Betsy Warland's Double Negative." Contemporary Literature 41.2 (Summer 2000): 291-322.

Molina, Felipe S. and Larry Evers. "'Like This It Stays in Your Hands': Collaboration and Ethnopoetics." Native American Oral Traditions: Collaboration and Interpretation. Eds. Larry Evers and Barre Toelken. Logan, UT: Utah State UP, 2001.

Morrow, Phyllis. "On Shaky Ground: Folklore, Collaboration, and Problematic Outcomes." When Our Words Return: Writing, Hearing, and Remembering Oral Traditions of Alaska and the Yukon. Eds. Phyllis Morrow and William Schneider. Logan: Utah State UP, 1995.

Muller, Marcia and Bill Pronzini. "Should You Collaborate?" Writer 98.3 (1985): 7-10, 45.

Mundye, Charles and Patrick McGuinness. "Revisiting a Collaboration." PN Review 28.6 (146) (2002 July-Aug): 46-49.

Murley, Susan. "The Use of Marginalia in Coleridge's Aids to Reflection: Collaboration as Supplementation." European Romantic Review 9.2 (Spring 1998): 243-52.

Nayder, Lillian. Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship. Ithaca, NY; London: Cornell UP, 2002.

Nesbitt, Paula D. and Linda E. Thomas. "Beyond Feminism: An Intercultural Challenge for Transforming the Academy." Common Ground: Feminist Collaboration in the Academy. Eds. Elizabeth G. Peck and JoAnna Stephens Mink. Albany: SUNY P, 1998. 31-49.

Ngwenya, Thengani. "Ideology and Self-Representation in Autobiography: The Case of Katie Makanya."Missions of Interdependence: A Literary Directory. Ed. Gerhard Stilz. Amsterdam: Rodopi, 2002.

Norman, Renee and Carl Leggo. "Forging a Writing Relationship: Collaboration and Gender." Textual Studies in Canada Etudes Textuelles au Canada 7 (1995): 81-85.

North, Michael. "Authorship and Autography." PMLA 16.5 (October 2001): 1377-85.

Oakes, Guy and Arthur Vidich. Collaboration, Reputation, and Ethics in American Academic Life: Hans H. Gerth and C. Wright Miller. Urbana: U of Illinois P, 2002.

O'Gorman, Farrell. "Prodding and Prompting: Writing and Editing a Collaborative Memoir of Modern War." A/B: Auto/Biography Studies 14.2 (Winter 1999): 317-27.

O'Meara, Anne and Nancy R. MacKenzie. "Reflections on Scholarly Collaboration." Common Ground: Feminist Collaboration in the Academy. Eds. Elizabeth G. Peck and JoAnna Stephens Mink. Albany: SUNY P, 1998. 209-26.

Ooka, Makoto. "Reviving Classical Linked Poems Abroad." Japan Quarterly {Tokyo Japan} 34.2 (Apr.-June 1987): 149-152.

Page, Barbara. "Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext." Postmodern Culture v.6 n.2 (January, 1996). http://www.tao.ca/~peter/athesis/hypertext/page96.html

Pavlac, Diana Lynne. "More than a Bandersnatch: Tolkien as a Collaborative Writer." Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and the Genres of Myth and Fantasy Studies 21; 33.2 (80) (Winter 1996 (1995)): 367-74.

Paz, Octavio et al. "Twelve Sonnets from Renga." Delos: A Journal On & Of Translation {Austin, TX} 5 (1970): 99-107. Peck, Elizabeth G. and JoAnna Stephens Mink. Common Ground: Feminist Collaboration in the Academy. Albany: SUNY P, 1998.

Pease, Donald. “Author.” Authorship: From Plato to the Postmoderns: A Reader. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 263-76.

Perry, Ruth and Martine Watson Brown, eds. Mothering the Mind: Twelve Studies of Writers and their Silent Partners. NY and London: Holmes and Meier, 1984.

Pethica, James. "'Our Kathleen': Yeats's Collaboration with Lady Gregory in the Writing of Cathleen ni Houlihan." Yeats Annual 6 (1988): 3-31.

Pollock, Mary Sanders. Elizabeth Barrett Browning and Robert Browning: A Creative Partnership. Aldershot: Ashgate, (Nov.) 2003.

Popkin, Jeremy D. "Coordinated Lives: Between Autobiography and Scholarship." Biography: An Interdisciplinary Quarterly 24.4 (Fall 2001): 781-805.

Price, Monroe E. and Malla Pollack. "The Author in Copyright: Notes for the Literary Critic." The Construction of Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee and Peter Jaszi. Durham: Duke U P, 1994. 439-56.

Prins, Yopie. "A Metaphorical Field: Katherine Bradley and Edith Cooper," Victorian Poetry, 33 (1995): 129-48.

Ramirez-Christensen, Esperanza. Heart's Flower: The Life and Poetry of Shinkei. Stanford, CA: Stanford UP, 1994.

Ramirez-Christensen, Esperanza. "The Essential Parameters of Linked Poetry." Harvard Journal of Asiatic Studies {Cambridge, MA} 41.2 (Dec. 1981): 555-595.

Randall, Marilyn. Pragmatic Plagiarism: Authorship, Profit, and Power. Toronto: U of Toronto P, 2001.

Reagan, Sally B., Thomas Fox, David Bleich, eds. Writing With: New Directions in Collaborative Teaching, Learning and Research. Albany:  SUNY P, 1994.

Reed-Danahay, Deborah E. Auto/ethnography : rewriting the self and the social. Oxford ; New York: Berg, 1997.

Retallack, Joan. ":RE:THINKING:LITERARY:FEMINISM: (three essays onto shaky grounds)." Feminist Measures: Soundings in Poetry and Theory. Eds. Lynn Keller and Christanne Miller. Ann Arbor: U of Michigan P, 1994. 344-77.

Reynolds, William. "Collaborative Detective Publications in Britain 1931-1939." Clues: A Journal of Detection 9.1 (Spring-Summer 1988): 49-70.

Richardson, Kelly L. "Collaboration, Materialism, and Masochism: New Studies in Nineteenth-Century Sentimental Literature and Culture." College Literature 29.3 (Summer 2002): 170-78.

Rifkin, Libbie. Career moves : Olson, Creeley, Zukofsky, Berrigan, and the American avant-garde. Madison : University of Wisconsin Press, c2000.

Rios, Theodore and Kathleen Mullen Sands. Telling a good one : the process of a Native American collaborative biography. Lincoln: University of Nebraska Press, c2000.

Robinson, Benjamin. "Santa Monica of the Turn: Catastrophe and Commitment in an Autobiography of Collaboration." New German Critique 84 (Fall 2001): 89-128.

Rose, Mark. Authors and Owners: The Invention of Copyright. London & Cambridge: Harvard UP, 1993.

Rosenberg, Rachel A. "Looking for Zora's Mule Bone: The Battle for Artistic Authority in the Hurston-Hughes Collaboration." Modernism/Modernity 6.2 (April 1999): 79-105.

Sands, Kathleen M. "Cooperation and Resistance: Native American Collaborative Personal Narrative." Native American Representations: First Encounters, Distorted Images, and Literary Appropriations. Ed. Gretchen M. Bataille. Lincoln: U of Nebraska P, 2001.

Sands, Kathleen M. "Narrative Resistance: Native American Collaborative Autobiography." Studies in American Indian Literatures 10.1 (Spring 1998): 1-18.

Sato, Hiroaki. "From Format Composition of tanka to the Creation of the renga Form." Journal of the Association of Teachers of Japanese {Portland, OR} 21.2 (Nov. 1987): 149-164.

Saul, Joanne. "Ghost Selves: The (Auto)biographical Voices of Mothertalk." Chapter of PhD thesis. University of Toronto. 2000. 234 pp.

Saunders, Mark A. "Theorizing the Collaborative Self: The Dynamics of Contour and Content in the Dictated Autobiography." New Literary History 25 (1994): 445-58.

Savona, Jeannelle-Laillou. "Problematics of a Feminist Theatre: The Case of A ma mere, a ma mere, a ma mere, a ma voisine." Trans. Karen Laughlin. Theatre and Feminist Aesthetics. Eds. Karen Laughlin and Catherine Schuler. Madison, NJ : Fairleigh Dickinson UP, 1995. 25-39.

Schlau, Stacey and Electa Arenal. "Escribiendo yo, escribienda ella, escribiendo nosotras: On Co-Laboring." Tulsa Studies in Women's Literature. Ed. Holly Laird. 14 (1995): 39-49.

Schleifer, Ronald. Analogical thinking : post-Enlightenment understanding in language, collaboration, and interpretation. Ann Arbor : University of Michigan Press, 2000.

Schleifer, Ronald. "Writhing Nets and Goodly Pearls: The Postmodern Bible, Temporal Collaboration, and Storytelling." The Centennial Review 40.2 (Spring 1996): 385-99.

Schneider, Matthew. "The Nowhere Man and Mother Nature's Son: Collaboration and Resentment in the Lyrical Ballads and the Beatles." Anthropoetics: The Electronic Journal

of Generative Anthropology 4.2 (Fall-Winter 1998-1999): 7.

Schrage, Michael. "Writing to Collaborate: Collaborating to Write." Author-ity and Textuality: Current Views of Collaborative Writing. Ed. James S. Leonard et al. West Cornwall: Locust Hill, 1994. 17-22.

Shteir, Rachel. "Brecht/Not Brecht." Lingua Franca: The Review of Academic Life 6.4 (May-June 1996): 38-46. Collaboration with women.

Sensibar, Judith L. "Faulkner and Love: The Question of Collaboration." Faulkner at 100: Retrospect and Prospect. Eds. Donald M. Kartiganer and Ann J. Abadie. Jackson, MS: UP of Mississippi, 2000.

Sicher, Philip. "Pale Fire and Lyrical Ballads: The Dynamics of Collaboration." Papers on Language and Literature 28 (1992): 305-18.

Singley, Carol J. and Susan Elizabeth Sweeney. "In league with Each Other: The Theory and Practice of Feminist Collaboration." Common Ground: Feminist Collaboration in the Academy. Eds. Elizabeth G. Peck and JoAnna Stephens Mink. Albany: SUNY P, 1998. 63-79.

Smetzer, Megan A. "The Importance of Collaboration." Rev. of An Anthology of Canadian Native Literature in English, Daniel David Moses & Terry Goldie, eds., and A Native American Encyclopedia: History, Culture, and Peoples, by Barry M. Pritzker. Canadian Literature 175 (2002): 171-3.

Smith, Colleen Altaffer. Collaboration [microform] : a dancer's phenomenological study of the combined vision in art-making. Thesis (Ph. D.)--Texas Woman's University, 1997.

Spigelman, Candace. Across property lines : textual ownership in writing groups. Carbondale : Southern Illinois University Press, c2000.

Stillinger, Jack, Ed. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford, 1991

Stone, Albert E. Autobiographical Occasions and Original Acts: Versions of American Identity from Henry Adams to Nate Shaw. Philadelphia: U of Pennsylvania P, 1982. See especially, "Two Recreate One: the Act of Collaboration in Recent Black Autobiography."

Stone, Albert E. "Collaboration in Contemporary Autobiography." Revue français d'études americaines 7.14 (1982): 151-65.

Stone, Albert E. "Two Recreate One: The Act of Collaboration in Recent Black Autobiography." REAL: The Yearbook of Research in English and American Literature 1 (1982): 227-66.

Stone Marjorie and Judith Thompson, eds. Literary Couplings and the Construction of Authorship: Writing Couples and Collaborators in Historical Context. Unpublished anthology.

Suleski, Ronald Stanley. "Four Saints in Three Acts Is Born." Harvard Gay and Lesbian Review

6.2 (Spring 1999): 39-41.

Sullivan, Mary Rose. "Elizabeth Barrett Browning and the Art of Collaboration." Studies in Browning and His Circle 19 (1991): 47-55.

Swann, Brian. "A Note on Translation, and Remarks on Collaboration." Recovering the Word: Essays on Native American Literature. Eds. Brian Swann and Arnold Krupat. Berkeley: University of California Press, 1987. 247-54.

Theisz, R.D. "The Critical Collaboration: Introductions as a Gateway to the Study of Native American Bi-Autobiography." American Indian Culture and Research Journal 5.1 (1981): 65-81.

Thomas, Gordon K. "The Lyrical Ballads Ode: 'Dialogized Heteroglossia.'" The Wordsworth Circle 20.2 (Spring 1989): 102-106.

Thralls, Charlotte. "Bakhtin, Collaborative Partners, and Published Discourse: A Collaborative View of Composing." New Visions of Collaborative Writing. Ed. Janis Forman. Portsmouth, NH: Boynton/Cook, 1992. 63-81.

Thurston, John. "Rewriting Roughing It." Future Indicative: Literary Theory and Canadian Literature Ed. John Moss. Ottawa: U of Ottawa P, 1987.

Trimbur, John. “Agency and the Death of the Author: A Partial Defense of Modernism.” JAC 20 (2000): 283-98.

Turcotte, Gerry. "Collaborating with Ghosts: Dis/Possession in The Book of Jessica and The Mudrooroo/Müller Project." Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama Ed. Marc Maufort and Franca Bellasari. Brussels: Peter Lang, 2001.

Turner, Robert Kean. "Collaborators at Work: The Queen of Corinth and The Knight of Malta." Shakespeare: Text, Language, Criticism: Essays in Honour of Marvin Spevack. Ed. Fabioan Bernhard and Kurt Tetzelivon Rosador. Hildesheim: Olms-Weidmann, 1987. 315-33.

Vail, Jeffery. The Literary Relationship of Lord Byron and Thomas Moore. Baltimore: Johns Hopkins UP, 2000.

Vickers, Brian. Shakespeare, Co-Author: A Historical Study of the Five Collaborative Plays. NY; London: Oxford UP, 2002.

Wasson, George and Barre Toelken. "Coyote and the Strawberries: Cultural Drama and Cultural Collaboration." Native American Oral Traditions: Collaboration and Interpretation. Eds. Larry Evers and Barre Toelken. Logan, UT: Utah State UP, 2001.

Watson-Laird, Naomi J. (1996). Contextualizing Canadian Feminist Literary Collaboration. MA thesis. Carleton University.

Wentz, Cynthia Carsten. "Jackpine Roots: Autobiography, Tradition, and Resistance in the Stories of Three Yukon Elders." American Indian Culture and Research Journal 22.1 (1998) 1-21.

White, Christine. "'Poets and Lovers Evermore': Interpreting Female Love in the Poetry and Journals of Michael Field." Textual Practice 4.2 (1990): 197-212.

Williams, James S. "The Beast of a Closet: The Sexual Differences of Literary Collaboration in the Work of Marguerite Duras and Yann Andrea." Modern Language Review 87.3 (1992): 576-84.

Williams, Raymond. Marxism and Literature. Oxford: Oxford UP, 1977.

Williamson, David. "Collaborating with Carol [on a stage play]." Prairie Fire 20.1 (Spr'99) 123-125.

Williamson, Janice."'In Companionship with Another Voice.'" Interview with Daphne Marlatt and Betsy Warland. Sounding Differences: Conversations with Seventeen Canadian Women WRiters. Toronto: U of Toronto P, 1993. 195-99.

Wilson, Darryl Babe and Susan Brandenstein Part. " 'Wu-ches-erik (Loon Woman) and Ori-aswe (Wildcat).'" Native American Oral Traditions: Collaboration and Interpretation. Eds. Larry Evers and Barre Toelken. Logan, UT: Utah State UP, 2001.

Winkelman, Carol L. "Electronic Literacy, Critical Pedagogy, and Collaboration: A Case for Cyborg Writing." Computers and the Humanities 29.6 (1995): 431-48.

Wong, Hertha D. Sending My Heart Back Across the Years: Tradition and Innovation in Native American Autobiography. NY: Oxford UP, 1992.

Woodmansee, Martha. "Genius and Copyright." The Author, Art and the Market: Rereading the History of Aesthetics. NY: Columbia UP, 1994.

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Woodmansee, Martha and Peter Jaszi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham: Duke U P, 1994.

Yancey, Kathleen Blake and Michael Spooner. "A Single Good Mind: Collaboration, Cooperation, and the Writing Self." College Composition and Communication 49 (1998): 45-62.

York, Lorraine. "Lesbianizing Authorship." Essays on Canadian Writing 54 (1994): 153-67.

York, Lorraine. Rethinking Women's Collaborative Writing: Power, Difference, Property. Toronto: U of Toronto P, 2002.

Zivanovic, Judith. "The Rhetorical and Political Foundations of Women's Collaborative Theatre." Women in Theatre. Ed. James Redmond. Themes in Drama Series. Cambridge: Cambridge UP, 1989.