Hopkins, J. (In press). Signs of masculinism in an uneasy place: advertising
for
Big Brothers. Gender, Place and Culture.
Hopkins, J. (1998). Signs of the post-rural: marketing myths of a symbolic
countryside. Geografiska Annaler, Series B (2), 65-81.
Hopkins, J. (1998). Urban Intrusions: Commodifying the Countryside. In R.
Butler,
C.M. Hall, and J. Jenkins (eds.), Tourism and Recreation in Rural
Areas,
pp.139-156 Sussex: John Wiley & Sons.
Hopkins, J. (1996). Excavating Toronto's Underground Streets: In Search of
Equitable Rights,
Rules and Revenues. In: J. Caulfield and L. Peake (eds.), City Lives and City
Forms, pp. 63-81. Toronto: University of Toronto.
Hopkins, J. (1994). Orchestrating an indoor city: ambient noise inside a
Mega-Mall. Environment and Behavior 26 (6), 758-812.
Hopkins, J. (1994). A Mapping of Cinematic Places: Icons, Ideology and the
Power of (Mis)Representation. In: S.C. Aitken and L. Zonn (eds.),
Power,
Place, Situation and Spectacle: A Geography of Film, pp. 47-68. Savage:
Rowman and Littlefield.
Hopkins, J.(1994) Toronto's underground city: excavating the terms of access.
Managing and Marketing of Urban Development and Urban Life, G.O.
Braun
(ed.), pp. 609-619. Proceedings of The International Geographical Union
Commission on Urban Development and Urban Life. Berlin:
Dietrich Reimer
Verlag.
Hopkins, J. (1993). A balancing act? Trespass amendments for public/private
places. Urban Geography 14 (2), 114-118.
Hopkins, J.(1991). West Edmonton Mall as a centre for social interaction. The
Canadian Geographer 35 (3), 268-279.
Hopkins, J. (1990). West Edmonton Mall: landscape of myths and elsewhereness.
The Canadian Geographer 34 (1), 2-17.