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Open Letter is a journal of critical and theoretical discussions of poetics and Canadian culture, written primarily by Canadian writers and artists. LATEST ISSUE, NOVEMBER 2009. | With a focus on the history of Canadian modernism and postmodernism, including underlying interdisciplinary and multicultural dimensions, Open Letter has provided a space in which writers, visual artists and literary scholars from various regions and communities within Canada can articulate and discuss with one another theories of art production, criticism, and the cultural role of literature. As a lively and often irreverent supplement to scholarly journals, the journal has been a provocative forum for theoretical and critical explorations of contemporary and experimental writing. SEE THE MOST RECENT CALLS FOR PAPERS (3). |
| Throughout its history, Open Letter has been known for the questioning roles it plays. An evolving project, in its early days the journal provided access to new feminist and language-centered writing from Quebec, and reviews of books from newly established small presses; it then moved to encouraging writing on previously neglected early postmodern writers. | ||
| Most recently it has focused on minority
poetics which interrogate the literary dominant -- ideologically self-aware poetics often
with intersections among Marxist, racial, gender, ethnic and/or regional ideologies.
Open Letter remains an open space for those artists who would unsettle the evolving
conventions and privileges of Canadian writing and related representations. BACK ISSUES are available for purchase, except if marked as 'OP' in the listing of Contents Pages. | ||
Home - Current Issue - Contents Pages - Forthcoming Issues - Poem In Progress - History & Mandate - The Editors - Submissions - Calls for Papers - Subscriptions/Purchases - Acknowledgements - Related Sites - Comments Webpage designed by Margaret Toye, and maintained by Frank Davey Last updated December 17, 2009 © 1965-2009 Open Letter |
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