Pedagogy:

Brodnitz, Friedrich S. Keep Your Voice Healthy: A Guide to the Intelligent Use and Care of the Speaking and Singing Voice; introd. by Olin Downes. New York: Harper, 1953. (RF465.B75)

Callas, Maria. Callas at Juilliard; the Master Classes; edited by John Ardoin. 1st ed. New York: Knopf, 1987. (MT820.C17 1987)

*Craig, David. A Performer Prepares: A Guide to Song Preparation for Actors, Singers, and Dancers. New York: Applause, c1993. (MT892.C73 1993)

Craig, David. On Singing On Stage. New and completely rev. ed. New York, N.Y.: Applause Theatre Books, 1990. (MT820.C788 1990)

Coffin, Berton. Historical Vocal Pedagogy Classics. Metuchen, N.J.: Scarecrow Press, 1989. (MT820.C644 1989)

Coffin, Berton. [Overtones of Bel Canto.] Coffin's Overtones of Bel Canto: Phonetic Basis of Artistic Singing: with 100 chromatic vowel-chart exercises. 1st ed. Metuchen, N.J.: Scarecrow Press, 1980. (MT883.C64)

Coffin, Berton. Sounds of Singing: Principles and Applications of Vocal Techniques with Chromatic Vowel Chart; foreword by Nicolai Gedda. 2nd ed. Metuchen, N.J.: Scarecrow Press, 1987. (MT821.C65 1987)

Duey, Philip A. Bel Canto in its Golden Age: A Study of its Teaching Concepts. New York: Da Capo Press, 1980, c1951. (MT820.D92 1980)

Emmons, Shirlee. The Art of the Song Recital; with Stanley Sonntag. New York: Schirmer Books, c1979. (MT892.E54 )

Emmons, Shirlee. Power Performance for Singers: Transcending the Barriers; with Alma Thomas. New York: Oxford University Press, 1998. (MT892.E55 1998)

Garcia, Manuel. A Complete Treatise on the Art of Singing; collated, edited, and translated by Donald V. Paschke. New York: Da Capo Press, 1975-1984. (MT835.G313 1975 pt.1) (MT835.G313 1975 pt.2)

Helfgot, Daniel. The Third Line: The Opera Performer as Interpreter; with William O. Beeman. New York, Toronto: Schirmer Books, Maxwell Macmillan Canada, Maxwell Macmillan International, c1993. (MT892.H44 1993)

Hines, Jerome. Great Singers on Great Singing. Garden City, N.Y.: Doubleday, 1982. (ML1460.H46)

Hines, Jerome. The Four Voices of Man. 1st Limelight ed. New York: Limelight Editions, c1997. (MT820.H56 1997)

*Kagen, Sergius. On Studying Singing. New York: Dover Publications, 1960. (MT820.K34 1960)

*Kinsey Sable, Barbara, The Vocal Sound. Englewood Cliffs, New Jersey: Prentice-Hall, 1982. (MT820.S12)

Lamperti, Giovanni Battista. Vocal Wisdom; maxims of Giovanni Battista Lamperti, recorded and explained by his pupil and assistant William Earl Brown. Supplement edited by Lillian Strongin. Boston: Crescendo Pub. Co., 1973, c1957. (MT845.L35 1973)

Marafioti, P. Mario (Pasqual Mario). Caruso's Method of Voice Production: The Scientific Culture of the Voice; preface by Victor Maurel. New York: Dover, 1981, c1949. (MT845.M33 1981)

Marchesi, Mathilde. [Methode de Chant Theorique et Pratique.] Theoretical and Practical Vocal Method: with a new introd. by Philip L. Miller. New York: Dover Publications, 1970. (MT835.M316 1970)

McKinney, James. The Diagnosis and Correction of Vocal Faults. Nashville, Tenn.: Broadman Press, 1982. (MT820.M44 1982)

*Miller, Kenneth E. Principles of Singing: a Text Book for Voice Class or Studio. 2nd ed. Englewood Cliffs, N.J.: Prentice Hall, 1990. (MT820.M598 1990)

*Miller, Richard. On The Art of Singing. New York: Oxford University Press, 1996. (MT820.M599 1996)

*Miller, Richard. The Structure of Singing. New York: Schirmir, 1996.

*Miller, Richard. Training Tenor Voices. New York, Toronto: Schirmer Books, Maxwell Macmillan Canada, c1993. (MT820.M6 1993)

*Miller, Richard. Training Soprano Voices. New York: Schirmer Books, 2000. (MT820.M5995 2000)

Nair, Garyth. Voice Tradition and Technology. San Diego: Singular Publishing Group, 1999.

National Association of Schools of Music. The Education andTraining of the Singer-Actor. Reston, Va. c1984. (MT820.E48 1984)

Reid, Cornelius. The Free Voice, a guide to natural singing. New York: Colman-Ross Co., 1965. (T820.R45)

Sataloff, Robert. Vocal Health and Pedagogy. San Diego: Singular Publishing Group, 1988.

Schneider, Sara K. Concert Song as Seen, Kinesthetic Aspects of Musical Interpretation. Stuyvesant, NY: Pendragon Press, c1994. (MT892.S36 1994)

*Stark, James. Bel Canto: a history of vocal pedagogy. Toronto: University of Toronto Press, 1999. (ML1460.S695 1999)

Sundberg, Johann. The Science of the Singing Voice. De Kalb, Ill.: Norhtern Illionois University Press, 1987. (MT821.s913 1987)

Titze, Ingo. Principles of Voice Production. Englewood Cliffs, N.J.: Prentice Hall, 1994.

Vennard, William. Singing, the Mechanism and the Technic; illustrations by the author. 5th ed. New York: C. Fischer, c1968. (MT825.V4 1968)

*Wall, Joan & Caldwell, Robert. The Singer's Voice [videorecording]. Dallas, Texas: Pst Inc, 1991. (MVD52 v.1) (MVD52 v.2) (MVD52 v.3)

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Diction/Interpretation:

Adler, Kurt. Phonetics and Diction in Singing; Italian, French, Spanish, German. Minneapolis, Minn.: University of Minnesota Press, c1967. (MT872.A3 )

Bathori, Jane. [Sur l'interpretation des melodies de Claude Debussy. English & French.] On the Interpretation of the Melodies of Claude Debussy; preface by Darius Milhaud; translation and introduction by Linda Laurent. Stuyvesant, NY: Pendragon Press, c1998. (MT145.D4B413 1998)

Bernac, Pierre. The Interpretation of French Song; translations of song texts by Winifred Radford. London: Cassell, 1970. (MT892.B4 1970b)

Bernac, Pierre. Francis Poulenc: the Man and his Songs; translated by Winifred Radford; with a foreword by Sir Lennox Berkeley. London: V. Gollancz, 1977. (ML410.P68B53)

Castel, Nico. A Singer's Manual of Spanish Lyric Diction; foreword by Placido Domingo. New York: Excalibur Pub., c1994. (MT883.C27 1994)

Coffin, Berton. Phonetic Readings of Songs and Arias; authentic pronunciation of 413 Italian, German, and French lyrics from The Singer's Repertoire in international phonetic alphabet transcription, by Berton Coffin [and others]. Boulder, Colo., Pruett Press [1964]. (MT883.C64) (MT820.M599 1996)

Coffin, Berton. Word-by-Word Translations of Song and Arias by Berton Coffin, Werner Singer, Pierre Delattre. New York: Scarecrow Press, 1966. (ML54.6.C63 v.1) (ML54.6.C63 v.2)

Copeman, Harold. Singing in Latin, or, Pronunciation Explor'd; with a preface by Andrew Parrott. Oxford: H. Copeman, 1990. (MT883.C664 1990)

Cox, Richard Garner. Singing in English: A Manual of English Diction for Singers and Choral Directors. Lawton, Okla: American Choral Directors Association, 1990, c1988. (MT883.C69S56 1990 )

Cox, Richard Garner. The Singer's Manual of German and French Diction. New York: G. Schirmer, 1970. (MT883.C69)

Donnan, Thomas M. French Lyric Diction. Lanham, Md.: University Press of America, 1994. (MT883.D66 1994)

Esselstyn Harrison, Donna. Poetry in Song Literature; a Handbook for Students of Singing. Evanston, Ill.: Wm. Caxton, c1989. (ML3849.H32 1989)

*Fischer-Dieskau, Dietrich. The Dietrich Fischer-Dieskau Book of Lieder. New York, NewYork: Alfred A Knopf. 1977.

Grubb, Thomas. Singing in French: A Manual of French Diction and French Vocal Repertoire; with a foreword by Pierre Bernac. New York: Schirmer Books, c1979. (MT883.G88)

*Jensen, Karen. Singer's Guide to the IPA: A Multimedia Course in the International Phonetic Alphabet; [interactive multimedia] Winnipeg: University of Manitoba. School of Music, [1998?] (MT883.S554 1998)

Lehmann, Lotte. Eighteen Song Cycles: Studies in their Interpretation; with a foreword by Neville Cardus. London: Cassell, 1971. (MT892.L46E4)

Lehmann, Lotte. More Than Singing: The Interpretation of Songs; [translated by Frances Holden]. Westport, Conn.: Greenwood Press, 1975, c1945. (MT892.L46M7 1975)

Magner, Candace A. Phonetic Readings of Brahms' Lieder. Metuchen, N.J:, Scarecrow Press, 1987. (MT883.M23 1987)

Magner, Candace A. Phonetic Readings of Schubert Lieder. Metuchen, N.J.: Scarecrow Press, 1994. (MT883.M25 1994)

Moore, Gerald. The Schubert Song Cycles: With Thoughts on Performance. London: Hamilton, 1975. (MT892.M6)

Moore, Gerald. Singer and Accompanist: The Performance of Fifty Songs. London: Methuen, 1965. (MT892.M66)

*Moriarty, John. Diction: Italian, Latin, French, German; the Sounds and 81 Exercises for Singing Them. Boston: Schirmer Music Co., 1975. (MT872.M67)

National Association of Teachers of Singing. English Singing Translations of Foreign Language Art Songs, compiled by the National Association of Teachers of Singing, Translation Committee; Arthur Schoep, chairman and editor. Denton, Texas: NATS translation Committee, 1976. (PN6101.E546 1976)

Odom, William (William McBride). German For Singers: A Textbook of Diction and Phonetics. New York: Schirmer Books, c1981. (MT883.O35 )

Singher, Martial. An Interpretive Guide to Operatic Arias: A Handbook for Singers, Coaches, Teachers, and Students; translations of the texts of the arias by Eta and Martial Singher. Pennsylvania State University Press, c1983. (MT892.S5 1983)

Uris, Dorothy. To Sing in English: A Guide to Improved Diction. New York: Boosey and Hawkes, 1971. (MT883.U75 )

*Wall, Joan. Diction For Singers: A Concise Reference for English, Italian, Latin, German, French, and Spanish Pronunciation. Dallas, Texas: Pst Inc., c1990. (MT883.D52 1990)

*Wall, Joan. International Phonetic Alphabet For Singers: A Manual for English and Foreign Language Diction. Dallas, Texas: Pst Inc., c1989. (MT883.W35 1989 )

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Career:

Blackwood, Alan. The Performing World of the Singer; with a Profile of Sherrill Milnes. London: Hamish Hamilton, 1981. (ML3930.A2B6)

*Dornemann, Joan. Complete Preparation: A Guide to Auditioning for Opera; with Maria Ciaccia, introduction by Sherrill & Nancy Milnes. New York: Excalibur Pub., c1992. (MT892.D67 1992 )

Legge, Anthony. The Art of Auditioning: A Handbook for Singers, Accompanists and Coaches; editor, Trevor Ford. London: Rhinegold, 1988. (MT892.L43 1988)

Lebon, Rachel L. The Professional Vocalist: A Handbook for Commercial Singers and Teachers. Lanham, Md.: Scarecrow Press, 1999. (MT855.L43 1999)

Maddison, Dorothy. Kein' Angst, Baby: A Singer's Guide to German Operatic Auditions in the 1990s with Gail Sullivan. London: Rhinegold, 1991. (MT892.M33 1991)

Owens, Richard. The Professional Singer's Guide to New York. Dallas, Tex.: American Institute of Musical Studies, c1984. (ML3795.O9 1984)

Towse, Ruth. Singers in the Marketplace; the Economics of the Singing Profession. Oxford, England: Clarendon Press, 1993. (ML3795.T66 1993)

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Repertoire:

50 years of great operatic singing [sound recording]. New York: RCA Victor, c1960. (Rec4806 )

Richard Boldrey ... [et al.]. Singers' Edition, operatic arias: lyric soprano, light lyric soprano, oprano leggiero-lirico, soprano leger, koloratursoubrette; [editor], Robert Caldwell. Dallas, Tex.: Pst Inc., c1992. (MT892.S464 1992)

Richard Boldrey ... [et al.]. Singers' Edition, operatic arias: soubrette. Dallas, Tex.: Pst Inc., 1992. (MT892.S467 1992)

*Coffin, Berton. Singer's Repertoire. 2d ed. New York: Scarecrow Press, 1960-1962. [5 parts] (Ref ML128.V7C64 1962) (MT820.C644 1989)

*Corri, Domenico. Domenico Corri's Treatises on Singing; a four-volume anthology, edited with introductions by Richard Maunder. New York: Garland Pub., 1993-1995. (MT890.D65 1993 v.11993) (MT890.D65 1993 v.21993) (MT890.D65 1993 v.31995) (MT890.D65 1993 v.41995)

Cowell, Henry. The World's Vocal Arts. [Sound recording] Compiled and edited by Henry Cowell. Folkways Records [1955] (Rec1495.C69W6)

Espina, Noni. Repertoire for the Solo Voice. 2 vols. Metuchen, N.J.: Scarecrow Press, 1977. (ML128.V7E78 1977)

*Goleeke, Tom. Literature for Voice: an index of songs in collections and source book for teachers of singing. Metuchen, N.J.: Scarecrow Press, 1984. (ML128.S3G64 1984)

*Kagen, Sergius. Music for the Voice. Bloomington, Indiana: Indiana University Press, 1968. (ML128.V7K31968 (Ref.))

*Kimball, Carol. Song: A Guide to Style & Litterature. Seattle: Pst Inc., 1996 (MT 110.K54 1996)

Leah, Shirley. The Chester Books of Celebrated Songs. London: Chester Music, c1981. (MT890.C4 bk.1) (MT890.C4 bk.2)

*McTyre, Ruthann Boles. Library Resources for Singers, Coaches, and Accompanists an Annotated Bibliography, 1970-1997. Westport, Conn.: Greenwood Press, 1998. (ML128.V7M45 1998)

Mabry, Sharon. Exploring twentieth-century vocal music: a practical guide to innovations in performance and repertoire. New York: Oxford University Press Inc., 2002. (MT820.M129 2002)

*McTyre, Ruthann Boles. Library Resources for Singers, Coaches, and Accompanists an Annotated Bibliography, 1970-1997. Westport, Conn.: Greenwood Press, 1998. (ML128.V7M45 1998)

Parisotti, Alessandro. Arie Antiche [translations by Richardson, Dorothy & Ruta, Tina]. Orleans, Mass.: Paraclete Press, c1990. (ML54.6.A75 1990)

*A Record of Singers [sound recording]. Hayes, Middlesex: His Master's Voice, p1982. [Previously released as "The Record of Singing," (RLS 724) by EMI Records, 1977.] (Rec1497.R42 pt.1) (Rec1497.R42 pt.2) (Rec1497.R42 Suppl.)

*The Record of Singing [Sound recording]. London: His Master's Voice, 1977. (Rec4221 v.2) (Rec4221 v.3)

Rich, Martin. Art Songs, and Their Interpretation. Bryn Mawr, Pa.: T. Presser, c1960. (MT892.R55)

Royal Conservatory of Music. Studies in recitative. Oakville, Ont.: F. Harris Music, c1991. (MT885.S6542 1991)

Royal Conservatory of Music. Studies in Vocalization. Oakville, Ont.: F. Harris Music, c1991. (MT885.S6543 1991)

Royal Conservatory of Music. Vocalizes [grades 5-7]. 2d ed. Oakville: Frederick Harris Music, c1998. (MT885.R69V657 1998)

Royal Conservatory of Music. Vocalizes and Recitatives [grade 8]. 2d ed. Oakville: Frederick Harris Music, c1998. (.MT885.R69V68 1998 )

Royal Conservatory of Music. Vocalizes and Recitatives [grades 9-10] 2d ed. Oakville: Frederick Harris Music, c1998. (MT885.R69V69 1998)

Royal Conservatory of Music. Voice Syllabus. 2d ed. Oakville, Ont.: F. Harris Music, c1998. (MT10.R798 1998)

Schmidt, Jan [compiled by]. Basics of Singing. 3rd ed. New York: Schirmer Books, c1994. (MT825.S33 1989 [2nd ed.]) (MT825.S33 1994 [3rd ed.])

Vaccai, Nicola. [Metodo pratico di canto italiano. English.] Practical Method of Italian Singing; edited, with introduction, translation and notes by John Glenn Paton. New ed. New York: G. Schirmer, c1975. (MT845.V113 1975)

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Biography:

Steane, J. B. Singers of the Century. Portland, Ore.: Amadeus Press, c1996-. (ML400.S826 1996 v.1) (ML400.S826 v.2 1998)

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Periodicals:

National Association of Teachers of Singing (U.S.). Bulletin. Vol. 1, no. 1 (Oct. 1944)-v. 18, no. 4 (May 15, 1962). New York, N.Y.: The Association, 1944-1962. (ML27.U5N38 )

*The NATS Journal. Vol. 42, no. 1 (Sept./Oct. 1985)-v. 51, no. 5 (May/June 1995). Oberlin, OH: National Association of Teachers of Singing, c1985-1995. (ML27.U5N38 )

*Journal of Singing, the official journal of the National Association of Teachers of Singing. Vol. 52, no. 1 (Sept./Oct. 1995. Jacksonville, FL: National Association of Teachers of Singing, c1995 (ML27.U5N38 V.521995/96) (ML27.U5N38 V.531996/97) (ML27.U5N38 V.541997/98)

Opera. London, Rolls House Publishing Co., 1950-. (ML5.063)

Opera Journal. Univerity of Mississippi, 1968-. (ML1.056)

Cambridge Opera Journal. Cambridge, Cambridge Univerity Press, 1989-. (ML1699.C35)

*Opera Canada. (ML5.065)

Opera News. New York, Metropolitan Opera Guild. (ML1.06)

Opera Quarterly. Chapell Hill, North Carolina, Universty of North Carolina Press, 1983-. (ML1.0646)

The World of Opera. New York, M. Dekker. 1978-. (ML1.W666)

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